I'm trying to bone up on my historical fiction. I was never much of a fan when reading history day-in and day-out was a necessity, but now that I am free of those fetters I can enjoy the creativity that can flow from such beginnings. I wouldn't have become a historian in the first place if I wasn't interested by the past.
But only certain bits of history intrigue me: the weird, strange, dark, or unnatural. Unidentified bones and multiple murders in Medieval England certainly qualifies. The story of The Unquiet Bones was clearly presented, perhaps too clearly most of the time. That might be the Law and Order enthusiast talking, but I was usually a few steps ahead of the plot, and wished for more complexity. At times. Most of the time, the mystery and its investigation were finely done.
What this story really lacked was a sense of flavor. It was very straight-forward and matter-of-fact in its telling, focusing on the same kinds of details-what is eaten, how cold Master Hugh's feet are- as he travels back and forth to seek out the killers. I wanted more ambience, more local, cultural robustness to round out this story and give it mood. Looking back now, I think I may have given too short shrift to Oliver Potzch's The Hangman's Daughter (see my review here). The plot may have been slow in some places, but wasn't always, and it had local character in spades, with fully developed characters that you were drawn to love and/or hate.
In contrast, Lord Gilbert seems very empty. His dialogue was usually just a mimicking of what Master Hugh had already said, which undermined both of them as distinct or unique in character and voice. It is hard to say whether I will pick up the next in the series, especially when there are so many other things to read. It's a shame that the cover art is so fascinating.
K Rating: 6/10
**New Author Goal: 14 out of 30**